The BSKL Companion is part of the third-party Diffusae plug-in for After Effercts (it integrates Stable Diffusion AI).   Open a support ticket for it at aescripts.com.  I have gotten pretty quick responses the two times that I have had issues with Diffusae.     ... View more

In the Effect Controls panel, hide the Timeline View.  The Show/Hide Timeline View button is at the top of the panel, immediately to the left of the Time Ruler. With the Timeline View hidden, you'll see the numeric value for the  Font Size at the right of the Font Size slider and can click that to edit it as usual. Hopefully this gets adjusted in a future release so that the Font Size value is visible at all times. In meantime, you might prefer to adjust this in the Properties panel instead (Windows > Properties).   ... View more

@Christian.Z  While some Adobe applications still use the user-voice pages for feature requests, the user-voice for Premiere Pro has been discontiued and feature requests from those pages with a high vote count migrated to the Adobe Community Forums.  This Premiere Pro forum with the conversation type set to "Idea" is the correct place for this feature request.    Unfortunately, though, this idea only has 8 votes as of Dec. 10, 2024. - Warren ... View more

Get Info on the external drive and check the Permissions settings.  ... View more

@Tushank_agarwal1000    It's a lite version of Wraptor DCP that is not included with the Apple Silicon only versions of Premiere Pro (24.x and now 25.x)..   You can license the full version from the publisher QuVIS.  I think it was $100 for 30 days the last time I used it.           ... View more

@drewc15557864  As mentioned earlier in this support thread, it's due to the change to Spectrum UI across the Adobe applications. Even thought it was not officially supported in the prior versions, it was nice to be able to change it and it would be great to see this in a future version - but we need to let the After Effects team know it's important and that requires a feature request with a good number of votes. ... View more

For a several versions, the project files were interchangeable (2019, 2020, 2021, and 2022), but that changed with 2023 and we are back to needing to use Save As in newer versions to open projects in older versions.  ... View more

  How do you feel about the default Shift+Tab shortcut? I would prefer ⌥+⇧+⌘+Home for Quick Set Anchor Point to correspond to the existing ⌥+⌘+Home for Center Anchor Point in Layer Content. Do you prefer the Properties Panel or the Shift+Tab shortcut? I prefer a keyboard shortcut, but would like see the option available in the Properties Panel.  The crosshair icon for "Quickly adjust this object's Anchor Point" helps new users to know the option exists as well as serves as a reminder to experienced users.  I would find it helpful to  see Layer > Transform > Quick Set Anchor Point below Layer > Transform > Center Anchor Point in the Layer pulldown menu and to have the crosshair icon next to Anchor Point property in the Timeline when the Transform properties are showing. Do you want the same sort of functionality for 3D Layers? How do you imagine that looking? Yes, it would be nice to have the same functionality for 3D Layers.  I imagine this looking like a 3d box instead of a 2d square with clickable points that can be transformed in 3d space via a Mini 3D Transform Gizmo inside the 3d box to aid in selecting a point in z-depth if needed.  Is there any confusion if you've already applied a rotation to your layer? I just tried using Shift+Tab to set the Anchor Point while a Preview is playing with rotation already applied.  The result is as expected.  ... View more

Simon, I'd gotten too used to how things behave when we export from After Effects directly rather than sending a Comp to Media Encoder. Having an option to set a background color - espcially associated with a Preset - would be very helpful.  I upvoted your idea.     - Warren     ... View more

It sounds like you want to enable "Cache Before Playback".   This checkbox is located in the Preview panel.   It's also going to be helpful to make sure Composition > Preview > Cache Frames While idle is enabled.   If it seems that it's taking a long time to cache the Preview, try lowering the Composition Resolution to favor faster caching with lower image quality.   If Full Resolution previews are important, you may need to allow time for them to cache and use the Composition Profiler to identify Layers that are taking more time to render. For playback speed, make sure that the Frame Rate pop-up menu in the Preview panel is set to "Auto" (the Composition frame rate will show in parenthesis is the Frame Rate dialog box). ... View more

Yes, a lowercase "u" exists for Calibri.   It sounds like you're experiencing an issue with the font on your system. Try resetting the Character panel in After Effects.  To do so, choose Window > Character, click the panel pop-up menu and the last option is Reset Character.  Create a new Text layer with the default font and a few words that use a lowercase "u" ("The quick brown fox jumps over the lazy dog" is standard for evaluating the characters of a font), select the entire line, and then change the font from the default to Calibri Bold.   If that still doesn't show as expected, try the same text in Photoshop or Illustrator.  If that works, try selecting that text and copy and paste it to a text prompt in After Effects. If there's still an issue, remove all instances of Calibri from your computer (be it from Adobe, Monotype, or another source), restart, and then try reinstalling the font with one font manager.   Here is an After Effects 2025 project (25.0.1) that uses Calibri Bold that you can try opening as part of your troubleshooting:  https://f.io/YNNsMjaC.     ... View more

Would "Show waveform of audio mix down in Time Ruler" be a more accurate description of what you are thinking?   If so, I like it and think that it could be very helpful.      ... View more

If working in After Effects, set the Background Color of the Composition to White.  When exporting with the "Apple ProRes 4444 with Alpha" preset in Media Encoder, you'll get a transparent background.  When exporting to any preset/format that does not support transparancy (like any MP4 preset), you'll get a white background. ... View more

    The After Effects Render Queue will queue up failed renders to continue from where they left off, but not all file formats allow for continuing a render.  For the file formats that allow for it, it would be great to have having something similar in Premiere Pro and Media Encoder to quickly continue an export.   Image Sequences allow for doing so because each frame is an independent file.  Mezzanine formats (like ProRes) have a good chance of doing so as the first segment can be quickly appended to the second segment later.  Long-GOP formats (MPEG2, h264, h265) that are multiplexed do not allow for this as they have to be rendered from Media Start to Media End with a consistent GOP structure.   Even when Image Sequences and mezzanine formats fail with the After Effects Render Queue, we need to check the most recent frame at the time of failure.  For example, if rendering 900 frames and it fails at fame 450, After Effects will queue up the failed render to continue from 450; however, frame 449 may not have completed as expected and we may need to adjust the continuation to render from 449 instead of 450.     ... View more

In the Finder or Explorer, place the images that you want to include in a folder named in alphabetical order.  Then import the folder as an Image Sequence with Force Alphabetical Order enabled.  ... View more

On the Premiere Pro side, you'll have to eyeball the size of the objects or size them to the same size outside of Premiere Pro.  To set the size outside of Premiere Pro, select the object source and choose Edit > Original, resize the artwork to match (Photoshop or Illustrator are good likely applications to use for this), and save.  Since Edit > Original was used, the changes should show right away in the Premiere Pro project.  If not, select the source in the Project panel or Bin panel, right-click, choose Replace footage, and then replace the source with itself. If you're in After Effects, select an object and choose Layer > Transform > Scale to open the Scale dialog box for the object.  In the Scale dialog box, change the Units pop-up menu from "% of Source" to "Pixels" and then enter the size in pixels for the object.  Repeat until the same size has been set for each object. ... View more

If each object is its own graphics file format (like PNG) placed in Video Tracks of the Timeline, select them in the Timeline and then right-click and choose Replace with After Effects Composition. If each object is it's own graphics file format (like PNG) in a Graphic, then import them into the Project, add them to the Timeline and then replace them with an After Effects Composition.   The Align panel in After Effects can align to the Composition as well as distribute selected Layers.  Any edits made to the graphics in After Effects will carry forward to the Composition in the Premiere Pro Timeline when the corresponding After Effects project file is saved. ... View more

Seeing an indicator that it's going to take days to transcribe a 22-minute clip is unexpected.  Have you tried restarting and trying again?   As I'm sure you've noticed, within the project file the transcript is attached to the Source Footage.   If the audio clip is enhanced, exported, and imported, then it's new Source Footage without the transcription even though it matches the original.   Unfortunately, there's currently no way to transfer the transcription of the original to the matching duplicate that's been enhanced.   To avoid transcribing the enhanced version of the 22-minuted audio clip, you could use it with the transcribed original in the Timeline (yes, this will take some patience as you're now working with two audio clips that are effectively duplicates of each other).  If you're in an entirely new project, import the enhanced version of the audio clip and also import the project that contains the transcribed original. ... View more

It sounds like you're looking to have a graphic play in a Video Track for the same duration of an audio clip an Audio Track.   Do you see this being a new Tool named something like "Extend to Corresponding Audio if Present"?   This can currently be done with an Overwrite Edit of a graphic to the marked length of an audio clip or with an Extend action to a graphic that is already placed over audio that has a longer duration in the Timeline.   For an Overwrite, we would press X in the Timeline while the Playhead is over the audio clip to mark the audio clip's duration and then press Period (".") to overwrite the graphic that's currently in the Source panel or selected in the Project panel or a Bin panel to the currently patched Video Track.  The result is the graphic playing in the patched Video Track for the duration of the audio.   For an Extend of a graphic that is already over an audio clip, we would move the Playhead to the end of the audio clip (probably using Down Arrow or Up Arrow), click the right edge of the graphic's Clip Boundary to select it, and then press E.  The result is the graphic playing in the Video Track for the duration of the audio.     ... View more

Try running After Effects in Safe Mode to check for a conflict with a third-party plugin or add-on.  ... View more

That looks like a color profile mismatch.    What is the color profile of the source footage?     ... View more

A color managed workflow resolves this.   You may find this article helpful: Color Management Part 24: Corporate Branding Colors and video production by Chris Zwar - ProVideo Coalition https://www.provideocoalition.com/color-management-part-24-corporate-branding-colors-and-video-production/ ... View more

      Adobe Premiere Pro User Guide >  Create, apply, and redefine text styles   ... View more

Try the modified project attached to this post. Disabling "Video is VR" during export as @Averdahl recommends is probably enough, but I made some additional adjustments to the Sequence settings that are better suited for a custom 1024-by-1024 Sequence that uses a PNG with stock video.  Namely, changing the editing mode from DSLR to Custom, changing the frame rate to match the stock video (24 fps) being used in the project, and changing the Video Preview from all I-frame MPEG to ProRes 422 (LT). Pictured: Custom Sequence settings for a 1024-by-1024 Sequence ... View more

As long as the plug-in file is present in the common Plug-ins folder, it should load as expected. The Pastel Sketch that's showing as missing is probably an older plug-in file that Premiere Pro thinks is different from the current plug-in file. The version of Pastel Sketch that is offline should still show in the Effect Controls for each Clip that it is applied to.  This will take some patience, but you can apply the current version of it and match the settings of the offline version and then delete the offline version. ... View more

The picture is similar, but not the same.  Can you share the project file without the media? ... View more

Does right-clicking Rectangle Path 1 and choosing Convert to Bezier Path work for what you are trying to do?  ... View more

Pastel Sketch might be from https://akvis.com/en/video-software.php.     ... View more

The video that you're exporting in Premiere Pro is named Sequence 1.mp4.   The video shown in Media Player is named TBOME FB VID AD 1.mp4.     ... View more